A friend and follower of Frank Lloyd Wright, [Francis Conroy] Sullivan designed this impressive church [St. Clare’s Catholic Church] in his mentor’s Prairie School style, incorporating flared overhanging eaves and geometric wood accents on stucco to emphasize a strong horizontal form.
~ from Exploring the Capital: An Architectural Guide to the Ottawa-Gatineau Region
If you want to see some of the city’s architectural gems you have to go to church.
Continue reading Architecture of Salvation – St. Clare’s Catholic Church
Shame & Prejudice: A Story of Resilience by Kent Monkman
06 January – 08 April 2018 @ the Agnes Etherington Art Centre at Queens, Kingston, ON
It’s interesting, artist Kent Monkman said.
When he posts a new painting to social media the predictable response is around 500 likes. But this one, he said gesturing to the projection, was different. This time, his accounts blew up to the tune of half a million hits.
The Scream, it appears, was da bomb. And I am not surprised. Continue reading Kent Monkman: Shame and Prejudice
While most people who drive the I-81 through Syracuse, New York are focussed on the gargantu-signs that foretell their arrival at the state’s largest shopping complex, I am fixated on another architectural curiosity: a decrepit Victorian house on top of an abandoned warehouse. Continue reading A Psycho House on Top
Also see the Facebook Page: Nicolas Cage in Burritt’s Rapids
In 1986, a 22-year-old shirtless Nicolas Cage starred as world-champion sculler Ned Hanlan in the Canadian film production of “The Boy in Blue,” partially shot in the village of Burritt’s Rapids, Ontario over eight days in September 1984.
On Wednesday, April 19th, 2017, Cage will make a return visit to Burritt’s Rapids, a tiny village in the southwest corner of Ottawa. This time around fans will have to settle for the sweaty, celluloid version of the popular actor. Continue reading Nicolas Cage Returns to Burritt’s Rapids
The question you have to ask yourself, White America needs to ask itself: Why was it necessary to have a nigger in the first place? ~ James Baldwin, I Am Not Your Negro
In a neighbouring village more English than England and whiter than white, I found Agatha Christie’s book in the stacks of the church’s charity book sale. I was shocked to a degree commensurate with my liberal leanings. Then I bought it for a dollar. Continue reading I Am Not Your Negro
Refugee Blues was published by writer and poet W.H. Auden in 1939, at the start of World War II.
It’s safe to say not much has changed and, perhaps, it never will if war and hatred continue to be our modus operandi. The million dollar question is this: Are we doomed as humans to this destructive cycle of scapegoatism and righteous indignation? Or is there truly a possibility – a probability – for something else?
Continue reading More Than Enough Refugee Blues to Go Around
This is the second in a series of visual love letters to Smiths Falls, one of my favourite towns in Eastern Ontario.
You can find the first installment here.
This is the first in a series of visual love letters to Smiths Falls, one of my favourite towns.
I’m from Vancouver, and while there are great things about the westcoast, I have called rural Ottawa home for the past 20 years.
The single best thing I love about living in the east is the riches of small towns and villages, roads that lead everywhere, chalk-full of opportunities to stop, talk to people, poke around and discover. Smiths Falls, just 20 minutes from where we live, has been my second home since the birth of our first child, when my in-laws sold up in Sudbury and moved to be close to us. Continue reading What I See When I See Smiths Falls
I didn’t so much as meet Larry Racioppo as find him. Home from NYC and working on this piece, I admired his photographic work on the 9/11 Memorial & Museum site and he agreed to lend me an image. Turns out, he’s lived a fascinating life; he’s been a NYC taxi driver in the early 80’s, staff photographer for the Department of Housing, Preservation and Development during the city’s lowest (and scariest) point, and a well-respected photo documentarian and keeper of knowledge of life, pre-gentrification, in Brooklyn, Queens and Manhattan. Check out his site at www.larryracioppo.com. Continue reading Larry’s Christmas Cards
This triplet of houses in Québec City defies the modern logic of “highest and best use” and its inherent rule of being “maximally productive.” It flaunts every last morsel of economic thought except one: It is a keeper of history, and provides a vital and extraordinary point of interest in the city’s viewscape, arguably contributing to the profits realized by the city’s tourism efforts. Continue reading The Sham of Highest and Best Use