Category Archives: History & Heritage

I Am Not Your Negro

The question you have to ask yourself, White America needs to ask itself: Why was it necessary to have a nigger in the first place? ~ James BaldwinI Am Not Your Negro

In a neighbouring village more English than England and whiter than white, I found Agatha Christie’s book in the stacks of the church’s charity book sale. I was shocked to a degree commensurate with my liberal leanings. Then I bought it for a dollar.

Published in England before the Second World War, the cover of this edition explicitly states that it is “not for sale in the U.S.A. or Canada.” It was later republished as Ten Little Indians – hardly a stellar rebranding and, finally, as And Then There Were None. It ranks as the 10th best-selling book of all time.1 That’s an awful lot of influence. Continue reading I Am Not Your Negro

Like & Share

  1. https://en.wikipedia.org/wiki/List_of_best-selling_books 

More Than Enough Refugee Blues to Go Around

Refugee Blues was published by writer and poet W.H. Auden in 1939, at the start of World War II.

It’s safe to say not much has changed and, perhaps, it never will if war and hatred continue to be our modus operandi. The million dollar question is this: Are we doomed as humans to this destructive cycle of scapegoatism and righteous indignation? Or is there truly a possibility – a probability – for something else?

Say this city has ten million souls,
Some are living in mansions, some are living in holes:
Yet there’s no place for us, my dear, yet there’s no place for us.

Once we had a country and we thought it fair,
Look in the atlas and you’ll find it there:
We cannot go there now, my dear, we cannot go there now.

In the village churchyard there grows an old yew,
Every spring it blossoms anew:
Old passports can’t do that, my dear, old passports can’t do that.

The consul banged the table and said,
“If you’ve got no passport you’re officially dead”:
But we are still alive, my dear, but we are still alive.

Went to a committee; they offered me a chair;
Asked me politely to return next year:
But where shall we go to-day, my dear, but where shall we go to-day?

Came to a public meeting; the speaker got up and said;
“If we let them in, they will steal our daily bread”:
He was talking of you and me, my dear, he was talking of you and me.

Thought I heard the thunder rumbling in the sky;
It was Hitler over Europe, saying, “They must die”:
O we were in his mind, my dear, O we were in his mind.

Saw a poodle in a jacket fastened with a pin,
Saw a door opened and a cat let in:
But they weren’t German Jews, my dear, but they weren’t German Jews.

Went down the harbour and stood upon the quay,
Saw the fish swimming as if they were free:
Only ten feet away, my dear, only ten feet away.

Walked through a wood, saw the birds in the trees;
They had no politicians and sang at their ease:
They weren’t the human race, my dear, they weren’t the human race.

Dreamed I saw a building with a thousand floors,
A thousand windows and a thousand doors:
Not one of them was ours, my dear, not one of them was ours.

Stood on a great plain in the falling snow;
Ten thousand soldiers marched to and fro:
Looking for you and me, my dear, looking for you and me.

Continue reading More Than Enough Refugee Blues to Go Around

Like & Share

What I See When I See Smiths Falls – Part 2

This is the second in a series of visual love letters to Smiths Falls, one of my favourite towns in Eastern Ontario.

You can find the first installment here.

Like & Share

What I See When I See Smiths Falls

This is the first in a series of visual love letters to Smiths Falls, one of my favourite towns.


I’m from Vancouver, and while there are great things about the westcoast, I have called rural Ottawa home for the past 20 years.

The single best thing I love about living in the east is the riches of small towns and villages, roads that lead everywhere, chalk-full of opportunities to stop, talk to people, poke around and discover. Smiths Falls, just 20 minutes from where we live, has been my second home since the birth of our first child, when my in-laws sold up in Sudbury and moved to be close to us. Continue reading What I See When I See Smiths Falls

Like & Share

Larry’s Christmas Cards

I didn’t so much as meet Larry Racioppo as find him. Home from NYC and working on this piece, I admired his photographic work on the 9/11 Memorial & Museum site and he agreed to lend me an image. Turns out, he’s lived a fascinating life; he’s been a NYC taxi driver in the early 80’s, staff photographer for the Department of Housing, Preservation and Development during the city’s lowest (and scariest) point, and a well-respected photo documentarian and keeper of knowledge of life, pre-gentrification, in Brooklyn, Queens and Manhattan. Check out his site at www.larryracioppo.com. Continue reading Larry’s Christmas Cards

Like & Share

The Sham of Highest and Best Use

This triplet of houses in Québec City defies the modern logic of “highest and best use” and its inherent rule of being “maximally productive.” It flaunts every last morsel of economic thought except one: It is a keeper of history, and provides a vital and extraordinary point of interest in the city’s viewscape, arguably contributing to the profits realized by the city’s tourism efforts. Continue reading The Sham of Highest and Best Use

Like & Share

Capital Building: A View from Washington – Part 3

Click here for Capital Building: A View from Washington – Part 1

Click here for Capital Building: A View from Washington – Part 2


Not Set in Stone: Memorials for the Future

The National Park Service (NPS), the National Capital Planning Commission (NCPC), and Van Alen Institute collaborated on Memorials for the Future, an international ideas competition that took place between March and September 2016. The goal of the competition was not to directly produce new monuments, but to reimagine how we think about, feel, and experience memorials. 

It called for designers, artists and social scientists to develop new ways to commemorate people and events that are more inclusive and flexible, reflect the country’s diversity in history, heritage and culture, and that enrich Washington’s landscape while responding to the limitations of traditional commemoration. 

The jury chose four finalist teams –  Climate ChronographAmerican WildThe IM(MIGRANT) and VOICEOVER – who offered distinct concepts and approaches.

Continue reading Capital Building: A View from Washington – Part 3

Like & Share

Capital Building: A View from Washington – Part 2

Click here for Capital Building: A View from Washington – Part 1


Having finally seen Washington, DC for myself this summer, it was great to connect with this presentation by Marcel Acosta, Executive Director of the National Capital Planning Commission (NCPC), the Federal Planning Agency for America’s Capital. In it he discusses how the city came to be shaped, and how it will continue to be shaped in the future.

Acosta and Beth White, NCPC Commissioner, were guests of the National Capital Commission (NCC) in Ottawa, presenting in September as part of the NCC’s Capital Urbanism Lab public lecture series. Continue reading Capital Building: A View from Washington – Part 2

Like & Share

Capital Building: A View from Washington – Part 1

In spite of the oppressive heat and humidity of August in Washington, D.C., I did what I like to do best: I walked around, looked at things and talked to people. This being my first trip to the capital, I focussed on the National Mall, exploring adjacent neighborhoods, and my relentless pursuit of Guastavino tile

In D.C., security is the conversational opener in the same way people elsewhere talk about the weather. 9/11 and the Oklahoma City bombing were cited as the salvo, the traceable moments in time when Everything Changed. Reduced accessibility was visible on the streets, in screening procedures employed at every public building, and in architecturally-based security features. And what you couldn’t see – the behind-the-scenes invisible – hung in the air. Continue reading Capital Building: A View from Washington – Part 1

Like & Share

Alex Janvier at the National Gallery of Canada

Alex Janvier is among the most important figures in the development of contemporary Indigenous art in Canada. This retrospective presents more than 150 works created from 1950 to the present day and recounts the story of a life devoted to art and the re-empowerment of Indigenous cultures. Over a prolific sixty-five-year career Janvier has produced thousands of paintings and many public commissions, all in a unique style, recognizable for its calligraphic lines, vivid colours, Dene iconography and forms that evoke land, sky, galaxies and microscopic life. Janvier is part of a distinguished group of artists in Canada who have brought Indigenous beliefs, issues and aesthetics to the foreground and successfully combined them with Western art styles and techniques. ~ National Gallery of Canada website

Yesterday marked the opening of painter Alex Janvier’s gorgeous retrospective at the National Gallery of Canada. I slipped in for the members tour before catching the 6:00pm opening ceremony, which included traditional dancing, honour songs, prayers and a speech by Janvier in his signature white cowboy hat and black suit. Continue reading Alex Janvier at the National Gallery of Canada

Like & Share