While most people who drive the I-81 through Syracuse, New York are focussed on the gargantu-signs that foretell their arrival at the state’s largest shopping complex, I am fixated on another architectural curiosity: a decrepit Victorian house on top of an abandoned warehouse. Continue reading A Psycho House on Top
Also see the Facebook Page: Nicolas Cage in Burritt’s Rapids
In 1986, a 22-year-old shirtless Nicolas Cage starred as world-champion sculler Ned Hanlan in the Canadian film production of “The Boy in Blue,” partially shot in the village of Burritt’s Rapids, Ontario over eight days in September 1984.
On Wednesday, April 19th, 2017, Cage will make a return visit to Burritt’s Rapids, a tiny village in the southwest corner of Ottawa. This time around fans will have to settle for the sweaty, celluloid version of the popular actor. Continue reading Nicolas Cage Returns to Burritt’s Rapids
It took 18 years of rural living for Guerrilla Art for Curious People to surface.
The idea popped into my brain because I love nothing more than discovering public art in unexpected places. Every time I’m surprised by an installation – turning a corner or driving through a neighborhood – my body vibrates, my head alights and I am consumed by happiness. To quote Mr. Whitman, I Sing the Body Electric. Continue reading Guerrilla Art for Curious People
I love riding New York’s subway system – just not as much as I love walking the city.
Riding necessitates paying attention to lines and stops and tracks – my mind can’t wander for fear of ending up in who-knows-where – but walking favours mental and corporeal freedom, especially when time holds no sway.
However, my penchant for perambulation has its downside: walking New York means I’ve all but missed the MTA Underground Art Museum, an Ali Baba-on-steroids-sized treasure trove. Continue reading New York and the MTA Underground Art Museum
It’s more fun than Pez and more addictive than crack.
I nearly lost my mind when I stepped into District Taco and spotted the Art-O-Mat® against the wall. It’s a refurbished cigarette machine, but instead of vending cancer sticks, it dispatches micro art pieces for five bucks a hit.
Of course, I immediately started plugging it with money and pulling the levers. Continue reading My Brain on Art-O-Mat®
Reading to children is inextricably intertwined with the idea of home, comfort and love. These five children’s books by authors better known for their adult writing, are available in first edition form from Peter Harrington, London’s leading rare book firm. And because we all love a good backstory, the home lives of the authors prove as interesting as the books themselves.
This piece is reproduced with permission from its author, Rachel Chanter, and Peter Harrington Rare Books. Continue reading “Too fancy and ingenious”: Children’s Books by Adult Writers
This triplet of houses in Québec City defies the modern logic of “highest and best use” and its inherent rule of being “maximally productive.” It flaunts every last morsel of economic thought except one: It is a keeper of history, and provides a vital and extraordinary point of interest in the city’s viewscape, arguably contributing to the profits realized by the city’s tourism efforts. Continue reading The Sham of Highest and Best Use
Not Set in Stone: Memorials for the Future
The National Park Service (NPS), the National Capital Planning Commission (NCPC), and Van Alen Institute collaborated on Memorials for the Future, an international ideas competition that took place between March and September 2016. The goal of the competition was not to directly produce new monuments, but to reimagine how we think about, feel, and experience memorials.
It called for designers, artists and social scientists to develop new ways to commemorate people and events that are more inclusive and flexible, reflect the country’s diversity in history, heritage and culture, and that enrich Washington’s landscape while responding to the limitations of traditional commemoration.
In spite of the oppressive heat and humidity of August in Washington, D.C., I did what I like to do best: I walked around, looked at things and talked to people. This being my first trip to the capital, I focussed on the National Mall, exploring adjacent neighborhoods, and my relentless pursuit of Guastavino tile.
In D.C., security is the conversational opener in the same way people elsewhere talk about the weather. 9/11 and the Oklahoma City bombing were cited as the salvo, the traceable moments in time when Everything Changed. Reduced accessibility was visible on the streets, in screening procedures employed at every public building, and in architecturally-based security features. And what you couldn’t see – the behind-the-scenes invisible – hung in the air. Continue reading Capital Building: A View from Washington – Part 1
Alex Janvier is among the most important figures in the development of contemporary Indigenous art in Canada. This retrospective presents more than 150 works created from 1950 to the present day and recounts the story of a life devoted to art and the re-empowerment of Indigenous cultures. Over a prolific sixty-five-year career Janvier has produced thousands of paintings and many public commissions, all in a unique style, recognizable for its calligraphic lines, vivid colours, Dene iconography and forms that evoke land, sky, galaxies and microscopic life. Janvier is part of a distinguished group of artists in Canada who have brought Indigenous beliefs, issues and aesthetics to the foreground and successfully combined them with Western art styles and techniques. ~ National Gallery of Canada website
Yesterday marked the opening of painter Alex Janvier’s gorgeous retrospective at the National Gallery of Canada. I slipped in for the members tour before catching the 6:00pm opening ceremony, which included traditional dancing, honour songs, prayers and a speech by Janvier in his signature white cowboy hat and black suit. Continue reading Alex Janvier at the National Gallery of Canada