While most people who drive the I-81 through Syracuse, New York are focussed on the gargantu-signs that foretell their arrival at the state’s largest shopping complex, I am fixated on another architectural curiosity: a decrepit Victorian house on top of an abandoned warehouse. Continue reading A Psycho House on Top
It took 18 years of rural living for Guerrilla Art for Curious People to surface.
The idea popped into my brain because I love nothing more than discovering public art in unexpected places. Every time I’m surprised by an installation – turning a corner or driving through a neighborhood – my body vibrates, my head alights and I am consumed by happiness. To quote Mr. Whitman, I Sing the Body Electric. Continue reading Guerrilla Art for Curious People
This is the first in a series of visual love letters to Smiths Falls, one of my favourite towns.
I’m from Vancouver, and while there are great things about the westcoast, I have called rural Ottawa home for the past 20 years.
The single best thing I love about living in the east is the riches of small towns and villages, roads that lead everywhere, chalk-full of opportunities to stop, talk to people, poke around and discover. Smiths Falls, just 20 minutes from where we live, has been my second home since the birth of our first child, when my in-laws sold up in Sudbury and moved to be close to us. Continue reading What I See When I See Smiths Falls
I love riding New York’s subway system – just not as much as I love walking the city.
Riding necessitates paying attention to lines and stops and tracks – my mind can’t wander for fear of ending up in who-knows-where – but walking favours mental and corporeal freedom, especially when time holds no sway.
However, my penchant for perambulation has its downside: walking New York means I’ve all but missed the MTA Underground Art Museum, an Ali Baba-on-steroids-sized treasure trove. Continue reading New York and the MTA Underground Art Museum
This triplet of houses in Québec City defies the modern logic of “highest and best use” and its inherent rule of being “maximally productive.” It flaunts every last morsel of economic thought except one: It is a keeper of history, and provides a vital and extraordinary point of interest in the city’s viewscape, arguably contributing to the profits realized by the city’s tourism efforts. Continue reading The Sham of Highest and Best Use
Not Set in Stone: Memorials for the Future
The National Park Service (NPS), the National Capital Planning Commission (NCPC), and Van Alen Institute collaborated on Memorials for the Future, an international ideas competition that took place between March and September 2016. The goal of the competition was not to directly produce new monuments, but to reimagine how we think about, feel, and experience memorials.
It called for designers, artists and social scientists to develop new ways to commemorate people and events that are more inclusive and flexible, reflect the country’s diversity in history, heritage and culture, and that enrich Washington’s landscape while responding to the limitations of traditional commemoration.
Having finally seen Washington, DC for myself this summer, it was great to connect with this presentation by Marcel Acosta, Executive Director of the National Capital Planning Commission (NCPC), the Federal Planning Agency for America’s Capital. In it he discusses how the city came to be shaped, and how it will continue to be shaped in the future.
Acosta and Beth White, NCPC Commissioner, were guests of the National Capital Commission (NCC) in Ottawa, presenting in September as part of the NCC’s Capital Urbanism Lab public lecture series. Continue reading Capital Building: A View from Washington – Part 2
In spite of the oppressive heat and humidity of August in Washington, D.C., I did what I like to do best: I walked around, looked at things and talked to people. This being my first trip to the capital, I focussed on the National Mall, exploring adjacent neighborhoods, and my relentless pursuit of Guastavino tile.
In D.C., security is the conversational opener in the same way people elsewhere talk about the weather. 9/11 and the Oklahoma City bombing were cited as the salvo, the traceable moments in time when Everything Changed. Reduced accessibility was visible on the streets, in screening procedures employed at every public building, and in architecturally-based security features. And what you couldn’t see – the behind-the-scenes invisible – hung in the air. Continue reading Capital Building: A View from Washington – Part 1